By Chris Wilson
Editor-in-Geek
REVIEW
Comic biographies are tricky
business, plagued with art complexity. When we read fictional stories, we
create iconography based upon how the characters are described or drawn. Not so
in a biography of a famous person because the reader is already familiar with
what the person looks like.
Realistic art requires every
single image of the person be spot-on accurate and recognizable. There is no
room for wonky faces or goofy facial elements and no tolerance for strange
positions or awkward faces or hands. They must look like themselves in each
panel. Realism must be realistic. The other choice is iconic or cartoony art,
whereas the image is not a replication of the person but merely an iconic
representation. This approach allows for more artistic license.
Bluewater Productions has produced several nonfiction comics, all of which have used realism with differening success. The MARTHA STEWART comic surprised me because the internal art here is not realistic -- a gamble on the part of Bluewater, I would think. How will readers respond to cartoonish art in a serious, nonfiction comic?
Bluewater Productions has produced several nonfiction comics, all of which have used realism with differening success. The MARTHA STEWART comic surprised me because the internal art here is not realistic -- a gamble on the part of Bluewater, I would think. How will readers respond to cartoonish art in a serious, nonfiction comic?
I loved it.
As Scott McCloud puts it in
UNDERSTANDING COMICS (pg. 30) “by stripping down an image to its essential
‘meaning,’ an artist can amplify that meaning in a way that realistic art
can’t.”
I found the iconic representation
allowed me to place my own mental images of Stewart onto the comic character
without taking me out of the story. With realism, I find I constantly compare
the image of the comic book character to the real life character. If the art is
outstanding, then I stay in the story. If not, I leave the comic to analyze how
the image does not look proper.
In short, I was able to see
Stewart as a character as opposed to a realistic drawing. For this reason, the
iconic art worked exceptionally well. The story, too, was very interesting. Themes
of her problematic relationships with others and her drive to succeed were
fascinating.
AGE RECOMMENDATION
Chris’ Rating: Ages 12 and older
BE AWARE
Stewart has a lot of warts,
especially when it comes to relationships. The comic hits those points
strongly.
IN THE CLASSROOM
Click here for the lesson plan in
pdf.
OTHER INFORMATION
Author: CW Cooke
Pencils: Kent Hurlburt
Colors: Kent Hurlburt
Lettering: Warren Montgomery
Publisher: Bluewater
Comics
Genre: Biography
Format: Comic
Color: Full color
CHRIS’ RECOMMENDATION:
Highly Recommended
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